Cutting Edge Audio & Video Group in conjunction with Apple and Telestream presents Apple Pro Video Seminar Series' 2nd Event for 2009

Final Cut Studio Workflows and Best Practices for Web Deliverables and Streaming Elements

Join our staff and special guests as we examine tools for streamlining content creation and refining file optimizations to present compelling results in web video formats and streaming event prep.

We'll cover:

Developing branding elements and overlays using Motion and Live Type
Tips and tricks for faster renders using Qmaster and Compressor
Setting up automatic file type conversions and transcoding in Telestream Episode Pro
Configuring Quicktime Broadcaster and Telestream WireCast for streaming event production
Benefits and challenges of applicable codecs and considerations for mobile device compatibility
Captioning and hyperlink capabilities available within Adobe Flash movies
Audio processing and enhancements in Soundtrack Pro

7 - 9 PMWednesday, May 27 at our showroom:
290 Division St. (at 10th), Suite 103
San Francisco, CA

Special pricing offers on software and hardware for those who attend.

A standing room only crowd of over 500 people enjoyed attending the Cutting Edge / AES panel discussion on Compressors. The event was at time funny, consistently spirited and extremely educational.

A standing room only crowd of over 500 people enjoyed attending the Cutting Edge / AES panel discussion on Compressors. The event was at times funny, consistently spirited and extremely educational.

Seated left to right are: Fab Dupont, Dave Derr, Wade Goeke, Rupert Neve, Hutch Hutchison, Dave Hill and George Massenburg

AES San Francisco 2008
Special Event

Friday, October 3, 2:30 pm — 4:00 pm

Compressors—A Dynamic Perspective

Moderator:
Fab Dupont
Panelists:
Dave Derr
Wade Goeke
Dave Hill
Hutch Hutchison
George Massenburg
Rupert Neve

Abstract:
A device that, some might say, is being abused by those involved in the “loudness wars,” the dynamic range compressor can also be a very creative tool. But how exactly does it work? Six of the audio industry’s top designers and manufacturers lift the lid on one of the key components in any recording, broadcast or live sound signal chain. They will discuss the history, philosophy and evolution of this often misunderstood processor. Is one compressor design better than another? What design features work best for what application? The panel will also reveal the workings behind the mysteries of feedback and feed-forward designs, side-chains, and hard and soft knees, and explore the uses of multiband, parallel and serial compression.

CUTTING EDGE AUDIO SELECTS API AND ATC FOR EX'PRESSION COLLEGE FOR DIGITAL ARTS

Cutting Edge in Print

Cutting Edge in TapeOp Magazine, November 2008	Cutting Edge in DV Magazine, November 2008
Cutting Edge in Mix Magazine, October 2008	Cutting Edge in TapeOp Magazine, July 2008
Cutting Edge in DV Magazine, September 2008	Cutting Edge in TapeOp Magazine, September 2008
Post Magazine, August 2008	TapeOp Magazine, August 2008	�
Cutting Edge in DV Magazine, July 2008	Cutting Edge in Mix Magazine, July 2008
Cutting Edge in TapeOp Magazine, July 2008